Seminar in Early Modern Literature

ENGL62201 (was “Seminar in Renaissance Literature”), fall 2005

W 5:30-8:00, Bliss 152

 

Dr. Jean E. Graham

graham (at) tcnj (dot) edu

Office hours MR 12:30-2:00 and by appointment

Bliss 225, x3233

 


 

In no way is this seminar intended as an exhaustive study of early modern British (formerly known as “English Renaissance”) literature.  I have selected several topics, focusing on the late sixteenth and early seventeenth centuries, in order to showcase recent critical approaches and additions to the canon—here represented by Ben Jonson, John Donne, John Milton, and Sir Philip Sidney, while the “additions” include Isabella Whitney, Aemilia Lanyer, Lady Mary Wroth, and Elizabeth Cary, the Lady Falkland.  

 

Place in the Curriculum: For the MA in English, each student must complete two required courses and 24 credit hours of electives, including at least 18 credits of 500- or 600-level English Department courses.  ENGL622 is an elective.  For more information, please see http://www.tcnj.edu/~english/academics/grad.html. 

 

Learning Goals:  In this course, students will be expected to demonstrate the kind of intellectual independence and sustained, critical thought required for the production of high-quality literary scholarship.  The course is designed:

  • to enable students to discover, assert, and insert their own critical “voice” in the ongoing and interdisciplinary dialogues, critiques, and debates that characterize the study of early modern British literature;
  • to encourage students to apply a range of critical theories to texts and their contexts in order to elucidate complex issues and concerns in the discipline and suggest additional avenues of critical inquiry;
  • to help students think theoretically, moving beyond issues of textual analysis into more abstract modes of thinking;
  • to cultivate a sophisticated understanding of issues of canonicity and disciplinary politics;
  • to encourage mastery of essential concepts and terms of literary analysis; and
  • to teach students how to prepare and conduct primary research of their own and communicate their ideas and their findings with precision and clarity.

 

Course Grade:

10% Preparation and participation

10% Essay 1

10% Essay 2

  5% Essay 3

15% Essay 4

50% Essay 5 (final researched essay)

Preparation and Participation: You will be expected to discuss the readings, and discussion entails reading the assignment(s) before class as well as listening respectfully to others. Although attendance is not graded at TCNJ, please note that it is difficult to participate unless you are both physically and mentally present; therefore, absences and tardiness will adversely affect your grade in the course.  Preparation may include assignments in addition to those listed below, as I deem necessary during the semester.

Assignments: You will write four brief essays and one longer, researched essay.  For the first three essays, research is not required, but any source used must be acknowledged appropriately.  Citation format should follow the latest MLA guidelines.  (See Gibaldi’s MLA Style Manual, 2nd ed., or his MLA Handbook for Writers of Research Papers, 6th ed.  The former is designed for graduate students and other scholars of literature; the latter, for undergraduate and secondary students.  It also explains how to cite online sources.) The specific assignments are given below.  I expect each essay to demonstrate understanding of literary theory as well as primary texts, and to provide ample relevant support cited with considerable accuracy (including use of spacing or virgule for poetry).  On the date listed on the syllabus for each essay, a copy is due in your SOCS drop-box before class, and a paper copy is due in class, at the beginning of the period.  The essay should be double-spaced, and headed with your name, the assignment name or number, and the essay's title.  Using SOCS will give us both a record of the semester’s work and my feedback. For the SOCS heading, please use “Essay 1” and so forth. 

 

Essay 1: Cultural materialism, feminist/gender, “race”/postcolonial critical approaches.  Rough draft due 9/28; final draft due 10/5.

Select one chapter or article from one of the following texts.  Write a 2-3-page critical review, including a brief summary of the chapter or article, using the form of a review article for an appropriate scholarly journal.

 

Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell Univ. Press, 1995.  Reserve

Hendricks, Margo, and Patricia Harker, ed. Women, "Race," and Writing in the Early Modern Period. London: Routledge, 1994.  Reserve

Orlin, Lena Cowen, ed.  Material London, ca. 1600. Philadelphia: Univ. of Pennsylvania Press, 2000.  [Other than Friedman’s article] Reserve

 

Essay 2: Class, feminist/gender/queer, or “race”/postcolonial critical approaches.  Due 10/19.

Read the following poem, and write a 4-6-page analysis using details from the poem to support your own sociocultural interpretation. 

 

Cleveland, John. "Upon the Death of Mr. King."   In Justa Edovardo King: A Facsimile Edition of the Memorial Volume in Which Milton's "Lycidas" First Appeared. Ed. Edward Le Comte. Norwood, PA: Norwood, 1978.  Reserve

 

Essay 3: Reflective critical statement.  Due 11/2.

How do you begin to interpret a literary text?  Stanley Fish has just cornered you at an MLA cocktail party and demanded to know whether you consider yourself a post-colonial, queer, Marxist, psychoanalytical, race, or feminist theorist.  You manage to distract him by praising his book How Milton Works, but realize later that you should be prepared next time you get up enough nerve to go to the MLA.  Write a 3-5-page description of your personal critical stance, using relevant examples from early modern literature and appropriate terms from literary criticism but also (remembering how many interpretations of Bhabha or Derrida there are) explaining what you mean by these terms.  How is your critical stance consistent with your worldview, values, and personal and professional goals? 

 

Essay 4: Researched essay proposal with annotated list of works consulted.  Due 11/16.

Write a 2-4-page proposal persuading me that your early modern British topic is relevant and interesting, and that your thesis is fresh and sufficiently-focused for a 20-25-page researched argument.  Attach a list of works you have consulted or intend to consult, differentiating clearly between these two categories by including a one or two sentence summary for each work consulted.  Works you intend to consult must be available to you before the researched essay is due.

 

Essay 5: Final Researched Essay.  Due 12/14.

Based on your proposal (Essay 4), write an essay of approximately 20-25 double-spaced pages, not including the required 500-word-maximum abstract and (non-annotated) list of works cited.  All sources used must be acknowledged appropriately using the latest (parenthetical) MLA citation style.  For this essay you are expected to demonstrate an understanding of current theoretical trends and conversations in early modern British literature. 

ADA: Anyone requiring special adaptations or accommodations will benefit from contacting Terri Yamiolkowski in the Office of Differing Abilities (x2571 or yamiolko@tcnj.edu).

Emergencies: In the case of a medical emergency or a personal emergency, documentation should be shown to each instructor.

Late Work: Unless I receive documentation of an emergency (see "Emergencies," above), or (if applicable) a verifiable power outage or SOCS shutdown occurs, each late assignment will be marked down 10% for each day it is late according to the date-stamp in SOCS; weekends count.

Academic Integrity:  Using the words and/or ideas of others without giving credit violates the policies of our college and the laws of our nation.  If I suspect plagiarism, I will seek the most strenuous penalties available to me; please consult the graduate bulletin (http://www.tcnj.edu/~graduate/bulletin.html) for information about the process.

SOCS and Email: For this class, you must be able to use SOCS (http://socs.tcnj.edu/), and you must read your TCNJ email regularly.  If you need assistance with either, please let me know during the first week of class; to forward TCNJ email to another address, go to http://managemail.tcnj.edu/ and follow the instructions.

Required Texts:

Cary, Elizabeth [the Lady Falkland].  The Tragedy of Mariam: the Fair Queen of Jewry.  Ed. Stephanie Hodgson-Wright.  Peterborough, Ontario: Broadview Literary Texts, 2000.  ISBN 1551110431.  [The Berkeley version edited by Barry Weller and Margaret W. Ferguson will also do; it includes The Lady Falkland: Her Life, by one of her daughters.]  Cary 

Jonson, Ben.  Ben Jonson’s Plays and Masques.  2nd ed.  Ed. Richard Harp.  New York and London: Norton, 2001.  0393976386.  Jonson

Milton, John. The Complete Poems. Ed. John Leonard. London and New York: Penguin, 1998. 10140433635.  [If you don’t already have “Lycidas” and A Maske Presented at Ludlow Castle (“Comus”) with good notes, this is a reliable and inexpensive edition.]  Milton

Salzman, Paul, ed.  Early Modern Women’s Writing: An Anthology 1560-1700.  Oxford: Oxford University Press, 2000.  ISBN 0192833464.  Salzman, EMWW

Sidney, Sir Philip.  Sir Philip Sidney: The Major Works.  Oxford: Oxford University Press, 2002.  ISBN 0192840800.  Sidney

 

Recommended Texts:

Gibaldi, Joseph. MLA Style Manual and Guide to Scholarly Publishing. 2nd ed. New York: MLA, 1998.  ISBN 0873526996

Salzman, Paul, ed.  An Anthology of Seventeenth-Century Fiction.  Oxford: Oxford University Press, 1991.  ISBN 0192839551.  Salzman, ASCF

 

Schedule.  Reading assignments should be completed before the class for which they are listed, including the first class.  Readings in a class textbook are marked by the author’s or editor’s name.  “Reserve” means on physical (not electronic) reserve at Roscoe West Library’s circulation desk, while “Periodicals” are in the periodicals stacks downstairs.  Literature Online, GenderWatch, Academic Search Premier, and EBSCOhost are electronic databases available through the library’s homepage (the “Find Articles and More” link). 

 

Material culture: the country house and the busk

8/31 Jonson, Ben. "To Penshurst."  Literature Online

Williams, Raymond.  Chapts. 2-3: “A Problem of Perspective” and “Pastoral and Counter-Pastoral.”  The Country and the City.  New York: Oxford Univ. Press, 1973.  Reserve

Friedman, Alice T.  “Inside/Out: Women, Domesticity, and the Pleasures of the City.”  Material London, ca. 1600. Ed. Lena Cowen Orlin.  Philadelphia: Univ. of Pennsylvania Press, 2000.  232-250.   Reserve

 

9/7 Donne, John, "Elegy 19: To His Mistress Going to Bed."  Literature Online 

Spreuwenberg-Stewart, Allison. "'To His Mistress Going to Bed'; Or, 'Could You Lend Me Your Clothes?'" John Donne Journal 18 (1999): 25-59.  Provided on 8/31

 

Colonization and “race”

Raman, Shankar. "Can't Buy Me Love: Money, Gender, and Colonialism in Donne's Erotic Verse." Criticism 43 (spring 2001): 135-68.  Periodicals or Literature Online

Donne. From "A Sermon Preached to the Honorable Company of the Virginia Plantation."  Norton Topics Online: http://www.wwnorton.com/nael/17century/topic_4/donne.htm.

Sandler, Florence. "'The Gallery to the New World': Donne, Herbert, and Ferrar on the Virginia Project." John Donne Journal 19 (2000): 267-97.  Provided on 8/31

 

9/14 Jonson, Ben.  The Masque of Blackness.  Jonson 314-24

Orgel, Stephen.  From The Jonsonian Masque.  Jonson 482-88

 

Elegy: Lycidas

9/21 Milton, John.  Lycidas.  Milton

Lewalski, Barbara K.  Chapt. 3: “Studious Retirement.”  The Life of John Milton: A Critical Biography.  Oxford: Blackwell, 2000.  Reserve

9/28 Boesky, Amy. "The Maternal Shape of Mourning: A Reconsideration of Lycidas." Modern Philology 95 (1998 May): 463-83.  Periodicals or Academic Search Premier

Boehrer, Bruce. "'Lycidas': The Pastoral Elegy as Same-Sex Epithalamium." PMLA 117 (2002): 222-36.  Periodicals

Essay 1 rough draft due. 

 

Women according to men, and in their own voices

10/5 Jonson.  Epicoene, or The Silent Woman.  Jonson 111-99

Jonson, Prologue to Every Man in His Humour (second version, 1616). Jonson 346-47

Watson, Robert.  From Ben Jonson’s Parodic Strategy.  Jonson 434-43

Essay 1 final draft due.

 

10/12 Cary, Elizabeth, the Lady Falkland.  The Tragedy of Mariam the Fair Queen of Jewry.  Cary 47-128

In addition, each student will read one of the following (pairs of) extracts from sources and didactic/polemical texts:

Josephus, The Antiquities of the Jews, from Book XV, Chapter IIII [sic] (Cary 145-49);

Josephus, The Antiquities of the Jews, from Book XV, Chapter XI (Cary 149-55);

Josephus, The Antiquities of the Jews, from Book XV, Chapter XI (Cary 156-58) and from Book XVI, Chapter XI (Cary 158-59);

Josephus, The Wars of the Jews, from Book I (Cary 159-62);

Vives, Instruction of a Christian Woman (Cary 163-64) and The Book of Common Prayer (Cary 169-71);

The Second Tome of Homilies (Cary 164-67);

Cleaver, A Godly Form of Household Government (Cary 167-69);

James VI and I, Basilikon Doron (Cary 171-72) and The True Law of Free Monarchies (Cary 172-73);

Leigh, The Mothers Blessing (Cary 173-76);

Speght, A Muzzle for Melastomus (Cary 176-77) and Sowernam, Ester Hath Hang’d Haman (Cary 177-79);

Whately, A Bride-Bush (Cary 179-81);

Jocelin, The Mother’s Legacy to her Unborn Child (Cary 181-83).

 

10/19 Whitney, Isabella.  “The Admonition.”  Salzman, EMWW 7-10

Lanyer, Aemilia.  From Salve Deus Rex Judaeorum.  Salzman, EMWW 21-56

Clifford, Anne.  From her Diary.  Salzman, EMWW 63-81

Essay 2 due.

 

10/26 Prynne (Moulsworth), Martha, "November the 10th 1632: The Memorandum of Martha Moulsworth, Widow."  In Early Modern Women Poets: An Anthology.  Ed. Jane Stevenson and Peter Davidson.  Oxford: Oxford University Press, 2001.  Reserve 

Any student article (i.e., anything but the editors’ introduction) from the Jan. 1996 issue of Critical Matrix, a special issue devoted to Moulsworth and edited by Ann Depas-Orange and Robert C. Evans.  GenderWatch 

Evans, Robert C. "Deference and Defiance: The 'Memorandum' of Martha Moulsworth." In Representing Women in Renaissance England. Ed. Claude J. Summers and Ted-Larry Pebworth. Columbia: Univ. of Missouri Press, 1997. 175-186.  Reserve

Wilcox, Helen. "'The Birth Day of My Selfe': John Donne, Martha Moulsworth, and the Emergence of Individual Identity." In Sixteenth-Century Identities. Ed. A. J. Piesse. Manchester, England: Manchester UP, 2000. 155-78.  Reserve

 

Literary theory and experimentation: the Sidney family

11/2 Sidney, Sir Philip.  The Defence of Poesie.  Sidney 212-50

Sidney.  Select and read at least two sonnets and one song from Astrophil and Stella.  Sidney 153-211

Sidney.  “The pitiful story of the Paphlagonian unkind king,” from The New Arcadia (The Countess of Pembroke’s Arcadia).  Sidney 253-58

Anon.  “The Manner of Sir Philip Sidney’s Death.”  Sidney 315-18

Greville, Fulke.  From The Life of Sir Philip Sidney.  Sidney 329

Herbert, Mary, Countess of Pembroke.  “To Thee Pure Sprite.”  Provided on 10/19

Essay 3 due.

 

11/9 Wroth, Lady Mary.  From Pamphilia to Amphilanthus.  Salzman, EMWW 133-35

Wroth.  Love’s Victory.  Salzman, EMWW 82-133

Wroth, Lady Mary.  The First Part of The Countess of Montgomery’s Urania.  Ed. Josephine A. Roberts.  Binghamton, NY: Medieval and Renaissance Texts and Studies, 1995.  1-45.  Reserve, or in Salzman, ASCF

 

Masque

11/16 Jonson.  Pleasure Reconciled to Virtue.  Jonson 333-42

Mulryan, John.  “Mythic Interpretations of Ideas in Jonson’s Pleasure Reconciled to Virtue.”  Jonson 489-99

Marcus, Leah S.  From The Politics of Mirth.  Jonson 499-507.

Marsh-Lockett, Carol P. "Pleasure Reconcild to Vertue in Historical Context." In New Perspectives on Ben Jonson. Ed. James Hirsh. Madison, NJ; London, England: Fairleigh Dickinson UP; Associated UP, 1997. 154-64.  Reserve

Essay 4 due.

 

11/23 Happy Thanksgiving!

 

11/30 Milton. A Maske Presented at Ludlow Castle.  Milton

Marcus, Leah Sinanoglou.  Chapt. 6: “Milton’s Anti-Laudian Masque.” The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes. Chicago: Univ. of Chicago Press, 1989.  169-212. Reserve

 

12/7 Rogers, John. "The Enclosure of Virginity: The Poetics of Sexual Abstinence in the English Revolution." In Enclosure Acts: Sexuality, Property, and Culture in Early Modern England. Ed. Richard Burt and John Michael Archer. Ithaca and New York: Cornell UP, 1994.  Reserve

Shullenberger, William. "Milton's Lady and Lady Milton: Chastity, Prophecy, and Gender in A Maske Presented at Ludlow Castle." In Fault Lines and Controversies in the Study of Seventeenth-Century English Literature. Ed. Claude J. Summers and Ted-Larry Pebworth. Columbia, MO: U of Missouri P, 2002. 204-26.  Reserve

 

12/14 Leasure, Ross. "Milton's Queer Choice: Comus as Castlehaven." Milton Quarterly 36 (May 2002): 63-86.  Academic Search Premier

Orgel, Stephen. "The Case for Comus." Representations 81 (Winter 2003): 31-45.  Periodicals or EBSCOhost

Herrup, Cynthia B. From A House in Gross Disorder: Sex, Law, and the Second Earl of Castlehaven. New York: Oxford Univ. Press, 1999.  Reserve

Essay 5 due.

 


Links to Resources

·  Online resources (SOCS): for TCNJ users only

·  Oxford English Dictionary (OED): for TCNJ users only

·  Other Roscoe West Library resources for English

 

http://www.tcnj.edu/~graham/ENGL622fall05.html, last updated
[Dr. Graham's home page] [TCNJ English Department]