Paper Session II
Saturday March 31, 2012
Mildred and Ernest E. Mayo Concert Hall
1:00 – 1:20: Education Through Music Technology
Matthew Prockup, Alyssa Batula, Brandon Morton, Youngmoo Kim (Drexel University, Philadelphia, PA)
1:20 – 1:40: A Theory of ‘Multiple Creativities’: Outcomes from an Undergraduate Seminar in Conducting
Robots
Andrea Salgian, Teresa M. Nakra, Christopher Ault, Yunfeng Wang (The College of New Jersey, Ewing, NJ) Meredith Stone (Independent Evaluator, Lawrenceville, NJ)
1:40 – 2:00: Towards the Development of Robot Musical Audition
David Grunberg, Alyssa Batula, Youngmoo Kim (Drexel University, Philadelphia, PA)
2:00 – 2:20: From Music to Visuals – and Back. 2D Fourier Transform applied on Music Piano Roll Plots
Reinhold Behringer (Leeds Metropolitan University, Leeds, UK)
2:20 – 2:40: The Transitioning of Sound from Consciousness into the External Space (Inspired to the Stage Performance Linear and Aerial Perspectives by Clara Tomaz)
Clara Tomaz (Rensselaer Polytechnic Institute, Troy, NY)
2:40 – 3:00: New Physical and Digital Interfaces for Music Creation and Expression
Jeffrey Scott, Brian Dolhansky, Matthew Prockup, (Drexel University) Andrew McPherson (Queen Mary University of London), Youngmoo Kim (Drexel University, Philadelphia, UK)
3:00 – 3:20: Realtime Dynamic Expressive Tuning: Where Does the Music Go?
Manfred Clynes, Georgetown University, Washington, DC
3:20 – 3:40: Break
3:40 – 4:00: Techniques for Modeling Expression in Plucked Guitar Tones
Raymond Migneco, Youngmoo Kim (Drexel University, Philadelphia, PA)
4:00 – 4:20: The Data Sensorium: Sonifications. A Collaboration between cDACT and BNL
Margaret Schedel, Timothy Vallier (Stony Brook University, Stony Brook, NY)
4:20 – 4:40: Modeling and Predicting Emotion in Music
Erik Schmidt, Youngmoo Kim (Drexel University, Philadelphia, PA)
4:40 – 5:00: Correlating Emotional Arousal to Musician Performance
Nima Rahimi, Melissa A. Mastro, Teresa M. Nakra, Brett F. BuSha (The College of New Jersey, Ewing, NJ)
5:00 – 5:20: Aesthetic and Philosophical Implications of Noise in Morphons and Bions (2011)
Kerry Hagan (University of Limerick, Limerick, Ireland)
5:20: Wrap-up and Final Remarks
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